Great news! This has been a bit of a wait, but the audiobook of books 1-3 of The Weapon Takers Saga has finally been released. It’s available on audible.com, audible.co.uk & Amazon – and I believe will go to the itunes store too.
In these strange times, my daily schedule is relatively untouched, though I do now have my children at home with me as the UK self-isolates.
I’m excited to introduce the character design for Og-Grim-Dog. I think the artist has done a fantastic job of bringing the brothers to life. At the moment he is working on the cover for book one, so I hope I will have news on this for you before too long.
I like the fact that the fantasy community is still active online during this period – it’s nice to be able to interact with other people in this way. In that vein, I’m letting you know about an online reading festival I’m involved with over on Fantasy Sci-Fi Focus. It’s on virtually all day (especially if you’re in North America) this Saturday, so make some time to check it out!
Making a conscious effort to read some of the ebooks on my ipad and went for this one which I’ve wanted to read since it won spfbo3 which Toric’s Dagger was entered in.
The story follows ‘grimdark pirates’ struggling against one another and the local empires who would like to see the end of the pirates. The characters – Drake Morass, Keelin, Elaina Tanner and more are mostly piratical types who, let’s say, have their own moral code. Certainly a morally grey grimdark (TM) style of novel here. I found them convincing and entertaining. They are at each other’s throats – the question is, are they capable of uniting to save their skins?
I am 99% sure the book is set in the same world as most of Rob’s other fantasy books – there are some references to other parts of the world here and there but you certainly don’t need to read anything else first. The author does the whole pirate thing – from the descriptions of the ships, to the characters’ speech – incredibly well, and for me this makes it stand out enough to earn a 5***** rating. Mr Hayes must have done some significant research and given some serious thought to the world, plot and characters, but writes the story so smoothly that you don’t see any of that. The fantasy and magical elements are low key and woven in with the gritty world of pirating very well and it makes for an original and distinctive read.
The story is certainly adult in every respect and people looking for a YA read about pirates need to go elsewhere. I’m not a massive fan of pirate stories per se but I really enjoyed this. By focusing on such a small scale (relatively, for fantasy) I felt like the writer was able to take his time with the story, giving the pirates the centre stage, when often (in fantasy) they get a bit part and it has a slightly gentler pace compared to the average frenetic fantasy read.
I certainly recommend this one, especially for those wanting something a bit out of the mainstream.
First of all, an update on the writing. I have sent book one of the new series to my beta readers and received feedback so that is due another final edit before it’s ready. I have also made a decent start on the first draft of book two, so I am still hoping for a late spring/ early summer release of the new series.
Meanwhile, I’m running a limited time promotion on The Weapon Takers Saga. You can get Toric’s Dagger free from the 2nd-6th March on Amazon with reductions in all territories on books 2 & 3 (the price varies on this). This has been a good way to attract new readers in the past, so spread the word if you can!
There’s no doubt that John Gwynne is delivering for fans of epic fantasy with this series, hitting many of the tropes we have come to expect from the genre.
His main achievement, I think, is in creating a work of breadth and depth, with a substantial number of character povs, while keeping a frenetic pace. The book is well plotted and full of action scenes, with individual fights and large scale military engagements occurring regularly. The author knows his stuff when it comes to medieval warfare. Altogether, this is no mean feat.
Of course, all of which means other elements are, almost inevitably, less sharp. The characters are all solid and likeable but there are few that climb above their fantasy standards: the prophesied young hero, his sword mentor, the wise woman, the gang of loyal family and friends. I’m not criticising – all the characters serve their purpose, they carry the storyline and have allowed Gwynne to finish what is an epic story. We have an overarching good v evil storyline, with an interesting range of characters on the ‘bad’ side. The worldbuilding is developed but the author hasn’t bitten off more than he can chew. We have human kingdoms and giant kingdoms, all quite similar, creating a believable Dark Age style world without the need for more complexity. Magic is a half way house between being mysterious and having a system: perhaps not totally pleasing either ‘camp’ but probably not putting off many either.
So I guess I’m saying that so far, this series doesn’t try to do many new things. I’m not sure I’d give any one element 10/10. But nor would I give anything less than 7 or 8. Readable, exciting, fast-paced, huge in scale, diverse characters, a believable fantasy world – for this reader and I would have thought most fans of the genre – Valour delivers.
This is a nice moment to look back and forwards at my writing plans.
Publication of my first series, The Weapon Takers Saga, is drawing to a close. All paperbacks and eBooks are released, including the boxset of books 1-3 which has hit the Amazon bestsellers ranks over the last 2 months. The release of the audiobooks will also be finished soon. Greg and Bridget have completed production of books 3 & 4. The Jalakh Bow audiobook is already released, and The Giants’ Spear is signed off and should be available on Amazon and Audible over the next few days.
Writing such an epic series has been a gargantuan effort for me. It’s been exciting to think about what other projects to turn to next. I’m not short of ideas. But I decided I wanted to write something a bit different and less complex, while staying in the fantasy genre. I’ve therefore decided to go for a series of shorter, humourous novels, centred on the character of Og-Grim-Dog, a three headed ogre. I’ve finished the first draft of book one. It will need some work doing to it, but the story feels more or less there. I would also like to finish the first three to four books in advance and then release them within a short time frame of each other, rather than have readers waiting ages for the next one. I will post updates on progress when I have them.
Meanwhile, there are two days left of my competition to Win all the paperbacks of The Weapon Takers Saga – enter over on KingSumo.
Well, that’s it for now, I’m looking forward to 2020 and I wish you a great year ahead.
My fantasy series is called ‘The Weapon Takers Saga’. The general meaning of the title references the quest that the heroes take on, to find and ‘take’ the seven weapons of Madria. I thought it might be enlightening to explain what the word ‘weapontake’ means in a more specific, historical sense.
I begin the final book of the series with an epigraph from Tolkien’s Return of the King:
‘The king with his guard and Merry at his side passed down from the gate of the Burg to where the Riders were assembling on the green. Many were already mounted. It would be a great company; for the king was leaving only a small garrison in the Burg, and all who could be spared were riding to the weapontake at Edoras.’
The meaning Tolkien uses here is derived from a Viking term – vapnatak – for a meeting where weapons are taken. This could be seen as a muster of the fighting men from a particular region; or perhaps a meeting where the brandishing of a weapon entitles you to have a vote or say in the outcome of a legal dispute.
The term survives to this day as a unit of administration in those parts of England that were heavily influenced by Viking settlers and rulers – Yorkshire and the Five Boroughs, known as the Danelaw. In this region, counties were subdivided into wapentakes, whereas in the rest of England the term used was hundreds. Whether in wapentake or hundred, the people of the area would gather at a local landmark, such as a river crossing or large tree. Here they would discuss issues that affected them and be addressed by the representatives of the government of the day – be it Viking warlord or English bishop.
Well, I hope this little lesson is of interest to those who enjoy language and history, as well as helping readers of my series understand the use of the word, and the reason behind my choice of epigraph.
It’s release day for the eBook of The Giants’ Spear, which means that The Weapon Takers Saga is finally complete.
It’s been a huge journey, dipping my toes into the world of publishing back in 2017, and finally completing my four-book series this year.
The box-set of books 1-3 is doing well so far, hitting the top of Amazon’s hot new releases charts in several categories.
It’s not the end, either. I have plans for a new series next year. But for now I think I need to take a moment and appreciate what I’ve achieved. Writing my own fantasy series has been a long held ambition. At last, I can say mission accomplished.
It’s finally here! The end of the series!
Here’s the cover for Book 4 of The Weapon Takers Saga. The official release date for the eBook is 15th November, but it’s already available to buy on pre-order. What’s more, the price will be set at $/£2.99 until release day.
Feels weird to be saying the series is over, but looking forward to finding out what everyone thinks of it.
Mention fantasy inspired music now and, if anything, you probably think about a niche genre of heavy metal. But once upon a time, in a land not so far away, fantasy was a major inspiration on some of the music that troubled the charts, and on their artwork. Here are some of the albums, all released between 1967-75, from an era when fantasy ruled the charts.
1973. An iconic album cover featuring mystical sites on earth, Tales from Topographic Oceans by Yes, was written at the high point of progressive rock-a genre full of complex lyrics and music that was well suited to literary ideas. This is a concept album inspired by ancient hindu texts. Ridiculed by some for its pretension, you don’t get music like this in the charts any more. Key track: The Ancients/Giants Under the Sun
1969. Led Zeppelin II by Led Zeppelin, complete with a steampunk style cover featuring German WW1 fighter pilots. The moment when Led Zeppelin first mix their folk blues music with mystical storytelling. No doubt much of the link between heavy metal and fantastic themes can be traced back to this album. Key track: Ramble On
1972. Demons and Wizards by Uriah Heep. Another prog rock cover, combined with heavy music inside. This record is full of fantasy influenced songs. Key track: The Wizard
1968. This debut by psychedelic outfit Tyrannosaurus Rex long held the record for the longest album title: My People Were Fair and Had Sky in their Hair…But Now they’re Content to Wear Stars on their Brow‘. Full of Marc Bolan’s whimsical lyrics, this album was always going to be fantasy influenced when the bongo player was called Steve Peregrin Took. Key track: Dwarfish Trumpet Blues
1967. The 5000 Spirits or the Layers of the Onion by Scottish folk duo The Incredible String Band was one of the classic psychedelic albums. Key track: Mad Hatter’s Song
1968. A Saucerful of Secrets by Pink Floyd. The last Floyd album featuring Syd Barrett, it retains his interest in fairy tales and fable. Key track: Let There Be More Light
1975. Warrior on the Edge of Time by Hawkwind. Really, any Hawkwind album would do. What makes this one stand out is the fantasy style cover – and the fact that many of the lyrics were provided by Michael Moorcock. Key track: The Wizard Blew His Horn
1971. Every Good Boy Deserves Favour by The Moody Blues. A great cover, this is prog rock with some mystical elements. Key track: Emily’s Song
What do you think? Anything missing? Any more recent music deserving of a mention?