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What is a weapontake?

My fantasy series is called ‘The Weapon Takers Saga’. The general meaning of the title references the quest that the heroes take on, to find and ‘take’ the seven weapons of Madria. I thought it might be enlightening to explain what the word ‘weapontake’ means in a more specific, historical sense.

I begin the final book of the series with an epigraph from Tolkien’s Return of the King:

‘The king with his guard and Merry at his side passed down from the gate of the Burg to where the Riders were assembling on the green. Many were already mounted. It would be a great company; for the king was leaving only a small garrison in the Burg, and all who could be spared were riding to the weapontake at Edoras.’

The meaning Tolkien uses here is derived from a Viking term – vapnatak – for a meeting where weapons are taken. This could be seen as a muster of the fighting men from a particular region; or perhaps a meeting where the brandishing of a weapon entitles you to have a vote or say in the outcome of a legal dispute.

The term survives to this day as a unit of administration in those parts of England that were heavily influenced by Viking settlers and rulers – Yorkshire and the Five Boroughs, known as the Danelaw. In this region, counties were subdivided into wapentakes, whereas in the rest of England the term used was hundreds. Whether in wapentake or hundred, the people of the area would gather at a local landmark, such as a river crossing or large tree. Here they would discuss issues that affected them and be addressed by the representatives of the government of the day – be it Viking warlord or English bishop.

Well, I hope this little lesson is of interest to those who enjoy language and history, as well as helping readers of my series understand the use of the word, and the reason behind my choice of epigraph.

When Fantasy Ruled the Charts

Mention fantasy inspired music now and, if anything, you probably think about a niche genre of heavy metal. But once upon a time, in a land not so far away, fantasy was a major inspiration on some of the music that troubled the charts, and on their artwork. Here are some of the albums, all released between 1967-75, from an era when fantasy ruled the charts.

1973. An iconic album cover featuring mystical sites on earth, Tales from Topographic Oceans by Yes, was written at the high point of progressive rock-a genre full of complex lyrics and music that was well suited to literary ideas. This is a concept album inspired by ancient hindu texts. Ridiculed by some for its pretension, you don’t get music like this in the charts any more. Key track: The Ancients/Giants Under the Sun

 

1969. Led Zeppelin II by Led Zeppelin, complete with a steampunk style cover featuring German WW1 fighter pilots. The moment when Led Zeppelin first mix their folk blues music with mystical storytelling. No doubt much of the link between heavy metal and fantastic themes can be traced back to this album. Key track: Ramble On

 

1972. Demons and Wizards by Uriah Heep. Another prog rock cover, combined with heavy music inside. This record is full of fantasy influenced songs. Key track: The Wizard

 

 

 

1968. This debut by psychedelic outfit Tyrannosaurus Rex long held the record for the longest album title: My People Were Fair and Had Sky in their Hair…But Now they’re Content to Wear Stars on their Brow‘. Full of Marc Bolan’s whimsical lyrics, this album was always going to be fantasy influenced when the bongo player was called Steve Peregrin Took. Key track: Dwarfish Trumpet Blues

 

1967. The 5000 Spirits or the Layers of the Onion by Scottish folk duo The Incredible String Band was one of the classic psychedelic albums. Key track: Mad Hatter’s Song

 

 

 

1968. A Saucerful of Secrets by Pink Floyd. The last Floyd album featuring Syd Barrett, it retains his interest in fairy tales and fable. Key track: Let There Be More Light

 

 

 

1975. Warrior on the Edge of Time by Hawkwind. Really, any Hawkwind album would do. What makes this one stand out is the fantasy style cover – and the fact that many of the lyrics were provided by Michael Moorcock. Key track: The Wizard Blew His Horn

 

1971. Every Good Boy Deserves Favour by The Moody Blues. A great cover, this is prog rock with some mystical elements. Key track: Emily’s Song

 

 

 

What do you think? Anything missing? Any more recent music deserving of a mention?